Orlando Bloom and Djimon Hounsou Will Lead Adaptation of ‘Zulu’

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By now, hopefully most of you have forgotten about the abysmal film The Tourist despite the drawing power of Angelina Jolie and Johnny Depp. However, audiences should seek out and remember Anthony Zimmer, the French film from director Jerome Salle that inspired the insipid American remake. Now Salle has found his next project and it comes in the form of another adaptation, this time from Caryl Férey’s novel Zulu. In addition, Screen Daily (via The Playlist) also reports that Orlando Bloom (The Lord of the Rings, Pirates of the Caribbean) and Djimon Housou (Blood Diamond, Gladiator) will star in the adaptation.

The story follows two Cape Town police officers (played by the aforementioned actors)who investigate the murder of a 18 year-old girl who just happens to be the daughter of one of the players from the championship winning Sprikboks rugby team, bringing an insane amount of media attention to the case. …

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‘Wonder Woman! Untold Story of American Superheroines’ SXSW Trailer

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“They did not think that a woman could carry a show… well, we proved them wrong!” There’s a new trailer (via TheMovieBox) for a documentary premiering at SXSW called Wonder Woman! The Untold Story of American Superheroines about the history, evolution and influence of comic book character Wonder Woman. It’s a full-on 3-minute long SXSW promo for a film that goes behind the scenes with Lynda Carter, Lindsay Wagner, comic writers and artists, and real life superheroines such as Gloria Steinem, Shelby Knox and others who offer an enlightening and entertaining counterpoint to the male dominated superhero genre.

SXSW trailer for Wonder Woman! The Untold Story of American Superheroines, via YouTube:

From the birth of the comic book superheroine in the 1940s to the blockbusters of today, this doc looks at how popular representations of powerful women often reflect society’s anxieties about women’s liberation.

Wonder Woman! The Untold Story of American Superheroines is …

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Two New Promo Banners Lionsgate’s ‘The Hunger Games’ Revealed

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The World Will Be Watching! Two new promo banners have recently debuted for Gary Ross’ The Hunger Games movie, being released by Lionsgate next month. I expect to see this up as billboards around town, at least one of them, which is fine by me! One banner comes from their official Facebook, the other comes from a recent debut on Hunger-Games.net, both via HeyUGuys, where they also have new character images from the official website. We’re finally getting down to the last few weeks before this arrives, so expect marketing to ramp up big time with more like this. But as someone who is actually excited for this, I say bring it all on.

Click either one to download full-size. I’m not sure we’ll see another trailer, but there’s plenty more to come.

Jennifer Lawrence stars as Katniss, a 16-year-old living in the post-apocalyptic country of Panem. Every year, one boy and …

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Alt Text: Handy Rules for the Creation of Lethal Mutants

When creating lethal mutants, please keep these World Health Organization directives front of mind.
Image: Lore Sjöberg

“When 22 bird flu experts meet at the World Health Organization this week, they will be tasked with deciding just how far scientists should go in creating lethal mutant viruses in the name of research.” — Reuters

bug_altextTHE WORLD HEALTH ORGANIZATION’S OFFICIAL STATEMENT ON LETHAL MUTANT VIRUSES, ORGANISMS AND INORGANIC LIFE FORMS

While we recognize that the cause of science and public health is advanced, in the long term, by the creation of lethal mutant viruses, organisms and inorganic life forms, we also recognize that, in the immediate sense, lethality is generally considered counter to the goals of the World Health Organization. We therefore provide the following recommendations for scientists.

1. Giant versions of existing organisms must not be more than 3.5 times larger than the normal version.

2. Tiny versions of existing organisms must not be small enough to be absorbed through the nasal membranes.

3. Just … don’t make it breathe fire. Just don’t.

4. Same with eye beams.

5. Lethal mutant creatures should not feed on any of the following:

     5a. Fear.

     5b. Pain.

     5c. Human blood, if the blood must be specifically and exclusively human. Feeding on human blood as part of a general tendency toward hematophagy is acceptable.

     5d. The “X” of children, where “X” is pretty much whatever.

     5e. Radiation.

     5f. Everything.

6. Be aware that most life insurance plans don’t pay in case of ironic death.

7. While combining the genetic material of humans with that of lower life forms is both extremely instructive and, let’s be honest, a real hoot, please make sure the resulting organism can’t talk. It’s creepy.

8. Creatures that plant their eggs in humans, leading to a bloody and painful death of the host as the young squirm and tear their way to the outside world, should provide some positive medical benefit.

9. You know the candiru, the tiny fish that can swim into a human’s urethra and lodge itself there with tiny spines? You will never come up with anything that awesome.

10. No invisibility.

11. No perfect camouflage that might as well be invisibility.

12. No transmogrifying into an exact duplicate of another person or animal.

13. Let’s just say the creature should look like whatever it actually is.

14. If you take a food animal and make it aware of its fate, prepare to be excluded from all World Health Organization barbecues.

15. There is no reason to make lethal mutant versions of sharks. They’re already sharks.

16. Go ahead and bring extinct species back to life if you want; we took them once, we can take them again.

17. If you create an energy being, please do not refer to it as “a being of pure energy.” Nobody has ever created a being of 97 percent energy and 3 percent nougat.

18. If you believe your creation will help you live forever and/or return the dead to life, let us know so we can get in on that action.

19. Humanity is not the real monster. Your monster is the real monster.

20. If you create a creature that escapes your control and wreaks havoc on the surrounding community, do not then create a female version.

21. Please do not say that your creature replicates “like a virus” unless it enters the cells of a living organism and hijacks the cellular apparatus to replicate itself. That goes double for your YouTube video.

22. Lethal mutant life forms should not be able to heal instantly from any wound. Wait, no, that counts as a medical breakthrough. OK, go for it.

23. It is the position of the World Health Organization that if you realize, just before you die, that you’ve been a fool to trifle with the laws of nature, and you recant your single-minded pursuit of science at the expense of basic humanity, revealing at the last possible moment that there was good inside you all along, you’re still a dick.

- - -

Born helpless, naked and unable to provide for himself, Lore Sjöberg overcame these handicaps to become a boffin, a griffin and a muffin.

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Weeds Season Seven DVD Review

Little boxes, on the hillside. Little boxes, made of ticky-tacky. And we’ve been seeing a whole lot of those little boxes of late, thanks to the crew out at Lions Gate who sent over a copy of Weeds Season Seven for us to review for you. And while our previous dealings with the Hempstress on Showtime have been fun to say the least, how will the seventh season fare?

Weeds Season Seven once again reunites us with the Hempstress, Nancy Botwin, who has just gotten out of federal prison, rather unexpectedly, and rather equally unexpectedly transferred to a halfway house in the middle of, of all places, New York City. And it’s not going to be much of a surprise that, following her stay in the prison system, Nancy Botwin finds herself doing what she always did best…selling epic quantities of perfectly good weed. And needless to say, with Nancy out of the picture for three years in prison, the rest of the Botwin brood (and reasonably good friend Doug), have been trying to get by as best they can. Even more needless to say, their efforts have been less than rational. And now, with the Botwins reunited, there are plenty more problems–and opportunities–aplenty.

Once again, Weeds will bring its delightful combination of good humor, weird humor, and surprisingly intense drama all intermingled into one greater whole. And, sadly, once again, the joyfully creepy Malvina Reynolds’ Little Boxes is still very gone. It’s a tragedy, but the show is still an unquestionable delight even without the capstone that is the theme song.

It’s always surprised me how Weeds can stay fresh, relevant and exciting even after seven seasons, and this one keeps up the chain very nicely. Basically, if you liked the previous six seasons, this will be a delight on par with pretty much every other season that came before this one. Obviously this is not the place for you to start the show, but it will be fun stuff. Even better, the cast does a terrific job of keeping everything flowing along smoothly, and you can believe that there will be some impressive interplay. Doug gets a new gig on Wall Street. Silas and Nancy are looking to get their mother-son relationship rebuilt. Shane’s going to school…for criminal justice…and even Andy, well, Andy is sadly underused this time around but still, there’s great stuff here. Plenty of laughs, and some exciting moments too.

It’s not every day you can watch a television show, after seven years, and still enjoy the presentation, and Weeds Season Seven does a terrific job of this. All sorts of strangeness, intermingled with all sorts of standard stuff that makes perfect sense and seems so very normal, makes for a package that will constantly keep you guessing, and having a great time in the process.

The Screenhead Ten Scale gives Weeds Season Seven an eight out of ten for being lots of fun, if not necessarily very accessible from its current position. There’s a fine blend of the strange and the simple here, and the Hempstress does a great job doing that which we’ve come to know and love her for.

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Stallone and Schwarzenegger to Take on Jim Caviezel in ‘The Tomb’

Stallone and Schwarzenegger to Take on Jim Caviezel in ‘The Tomb’

by
February 20, 2012
Source: AICN

Back in the 80′s, Sylvester Stallone and Arnold Schwarzenegger used to compete for box office dominance. But lately, the two friends have been sharing the screen. Arnie made a cameo in the first Expendables and plays a much larger role in the sequel now that he’s finished with his political duties. The musclemen recently signed on to star in The Tomb, in which Stallone plays the architect of a maximum security prison who is wrongfully incarcerated and must fight his own design to escape, and now the observant eyes at AICN point us to a story reavealing Jim Caviezel has joined the cast as the prison warden. More below!

The Tomb producer Mark Canton (300, Immortals) spoke with The Matthew Aaron Show and revealed that the star of “Person of Interest” (one of the best shows on TV you’re probably not watching) is set to join the cast as the warden. No word yet on what size that role will be, but I’m glad to see an actor with some true range added to this cast. Canton also compared the Sly and Arnold pairing to De Niro and Pacino in Michael Mann’s Heat, implying heavy screen time for the two of them (Arnold plays a prison inmate with shady motives). The Tomb will be directed by Mikael Hafstrom (1408, The Rite), with filming getting underway this spring for a 2013 release. In the meantime, we’ll have to wait and see Sly and Arnie kicking ass together on the big screen in The Expendables 2 on August 17th of this year.

Related categories: Casting, Movie News

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Watch: James Franco & Ashley Hinshaw in Sex Drama ‘Cherry’ Trailer

Watch: James Franco & Ashley Hinshaw in Sex Drama ‘Cherry’ Trailer

by
February 20, 2012
Source: YouTube

“That’s an awful lot of money for lying around in your underwear.” A new trailer for an indie drama called Cherry, starring Ashley Hinshaw (last seen in Chronicle as the girl), about the sex industry has popped up online via The Playlist. I haven’t heard of this before, but it just premiered at the Berlin Film Festival and co-stars James Franco, Heather Graham and Dev Patel in a drama that seems to show workin’ in the porn industry ain’t that easy after all. Alas, it’s not a great trailer, but it is a good introduction to this indie flick. If you’re interested based on the title, cast and image alone, then you’ve just got to take a look anyway.

Watch the first official trailer for Stephen Elliott’s Cherry, embedded via YouTube:

A drama centered on a troubled young 18-year-old girl named Angelina (Ashley Hinshaw) who moves to San Francisco, where she gets involved in pornography and aligns herself with a cocaine-addicted lawyer.

Cherry is written & directed by first-time filmmaker Stephen Elliott, a former sex worker who is also the author of seven books. The screenplay was written by Stephen Elliott and Lorelei Lee, a porn performer who is also a writer and lecturer at New York University. This indie just premiered at the Berlin Film Festival this month to mixed reviews, but is still looking for a US distributor, as far as we know. Anyone interested?

Related categories: Indies, To Watch, Trailers

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Watch: Official US Trailer for Swedish Crime Musical ‘Sound of Noise’

Watch: Official US Trailer for Swedish Crime Musical ‘Sound of Noise’

by
February 19, 2012
Source: Apple

The first musical cop movie! Or “Bonnie and Clyde on drums”, which sounds pretty damn cool. Magnolia Pictures has debuted the official trailer via Apple for Sound of Noise, a film written and directed by Ola Simonsson and Johannes Stjärne Nilsson. This Swedish crime musical features percussion set pieces throughout and it looks like a cinematic spectacle, I’m honestly a bit sad I missed this at Fantastic Fest (in late 2010), where it won Best Picture. But thankfully it’ll be in theaters very soon! The cast includes: Bengt Nilsson, Sanna Persson Halapi, Magnus Borjeson and Johannes Bjork. Check out the fun full trailer below.

Watch the official US trailer for Ola Simonsson & Johannes Stjarne Nilsson’s Sound of Noise:

You can also download the Sound of Noise official trailer in High Definition over on Apple

Follows police officer Amadeus Warnebring, tone-deaf scion of a musical family, as he attempts to track down a group of six guerilla percussionists whose anarchic public performances are terrorizing the city.

Sound of Noise is co-written & co-directed by Swedish filmmakers Ola Simonsson and Johannes Stjärne Nilsson, making their feature debut after a number of shorts, including the one this feature is based on. The script is based on a story by Jim Birmant, Simonsson and Nilsson. This first premiered at the Cannes Film Festival back in 2010, and has played numerous film festivals worldwide since. Magnolia Pictures is finally bringing Sound of Noise to limited theaters starting March 9th. For updates, visit their official Facebook.

Related categories: Indies, To Watch, Trailers

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One for the Money Winners Picked!

Screenhead’s latest giveaway for the upcoming film One For The Money starring Katherine Heigl is strictly fashionable and we have our two winners: Laura Emerson and Chadro!  Both winners tweeted their favorite Stephanie Plum book and enter to win and won!

Each prize package consists of lipstick pen / notepad set and a tote bag.

One for the Money opened on January 27th and did fairly well at the box office; it is still in the top ten.

A proud, born-and-bred Jersey girl, Stephanie Plum’s got plenty of attitude, even if she’s been out of work for the last six months and just lost her car to a debt collector.

Now she is desperate for some fast cash. Stephanie turns to her last resort: convincing her sleazy cousin to give her a job at his bail bonding company…as a recovery agent. True, she doesn’t even own a pair of handcuffs and her weapon of choice is pepper spray, but that doesn’t stop Stephanie from taking on Vinny’s biggest bail-jumper: former vice cop and murder suspect Joe Morelli – yup, the same sexy, irresistible Joe Morelli who seduced and dumped her back in high school.

Nabbing Morelli would be satisfying payback – and a hefty payday – but as Stephanie learns the ins and outs of becoming a recovery agent from Ranger, a hunky colleague who’s the best in the business, she also realizes the case against Morelli isn’t airtight. Add to the mix her meddling family, a potentially homicidal boxer, witnesses who keep dying and the problem of all those flying sparks when she finds Morelli himself…well, suddenly Stephanie’s new job isn’t nearly as easy as she thought.

The trailer is funny. I sure hope the movie is too.

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‘The Descendants’ and Woody Allen Win 2012 Writers Guild Awards

‘The Descendants’ and Woody Allen Win 2012 Writers Guild Awards

by
February 19, 2012
Source: indieWire

More love for The Descendants! The 2012 Writers Guild Awards were held tonight at a ceremony in the Hollywood Palladium in Los Angeles. The two key winners: The Descendants, written by Alexander Payne and Nat Faxon & Jim Rash from Kaui Hart Hemmings’ novel, winner of Best Adapted Screenplay from the WGA; and Midnight in Paris, written/directed by Woody Allen, winner of Best Original Screenplay (full nominees below). It’s been a great year for Fox Searchlight and The Descendants, a film that even though not everyone loved (I was not a big fan), has been sweeping up awards left and right, and this is yet another.

The other nominees in Original Screenplay included: 50/50, by Will Reiser; Bridesmaids, by Annie Mumolo & Kristen Wiig; Win Win, by Tom McCarthy; Young Adult, by Diablo Cody. The other Adapted Screenplay nominees included: Girl with the Dragon Tattoo, by Steven Zaillian, based on the novel by Stieg Larsson; The Help, by Tate Taylor, based on the novel by Kathryn Stockett; Hugo, by John Logan, based on the book The Invention of Hugo Cabret by Brian Selznick; Moneyball, by Steven Zaillian and Aaron Sorkin, based on the book by Michael Lewis. The other big winner was Best Documentary Screenplay, which went to Better This World, written by Katie Galloway & Kelly Duane de la Vega. For the full list with TV, see indieWire.

Come on, The Descendants wasn’t that great, 50/50 should’ve won this, an fantastic script for a wonderful film, Will Reiser deserves the accolades. But we could argue endlessly over which scripts were really the best of 2011 and deserving of awards like this, but we’ve still got one more big award coming next weekend. Pete Hammond has a full run down on all the WGA 2012 winners on Deadline. Now it’s onwards to the Oscars!

Related categories: Awards News, Discussion, Movie News

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Watch: Unique Fan-Made Dark Live-Action(ish) ‘Akira’ Teaser Trailer

Watch: Unique Fan-Made Dark Live-Action(ish) ‘Akira’ Teaser Trailer

by
February 19, 2012
Source: Vimeo

“I needed to understand his gift, his power. Before anyone gets up in arms, this is just a fan-made teaser (found via Twitch) that I thought was cool enough to feature, even though it’s very short and a much darker take than you’re probably expecting. French filmmaker Fabien Dubois created this teaser for a live-action Akira, starring Baptiste Amann as what looks like the Kaneda character, but with powers, and featuring the voice of Pierre Scarland (via Vimeo). I’m intrigued, and I think it’s cool, but I’m not really sure about the tone and feeling of it, just weird. If you’re a fan you’ve got to take a look, just to see what one vision is like.

This trailer was directed and edited by Fabien Dubois, who lists his info on the Vimeo page. Sound by Jules Wysocki and music by Pierre Mottron. They’ve got their own a Facebook page, but not much more info is out there about this. It must just be a sales project, or potential bid for director, either way it’s unique and kind of impressive. A solid attempt at one idea for Akira. But I’m intrigued to see what Jaume Collet-Serra’s working on at Warner Bros. Not only do we have this, but Chronicle, which honestly has a modern Akira feel to it, too. I love me some Akira, I just really hope that Collet-Serra’s version turns out better… than this.

Related categories: Hype, To Watch, Trailers

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Watch: Finished ‘Spider-Man’ Viral Unlocks First Full Backpack Clip

Watch: Finished ‘Spider-Man’ Viral Unlocks First Full Backpack Clip

by
February 19, 2012
Source: Mark of the Spider-Man

After the final two cities in the Mark of the Spider-Man viral tagged their designed locations, the website for the viral was updated with the static videos finally showing people making the marks. We were looking for clues to what’s next, but couldn’t find any, except that the actual Spider-Man mark on the website is now clickable, and it opens a video, a full clip from Marc Webb’s The Amazing Spider-Man, showing how the backpack (from the early part of this viral) connects with everything and why Peter has to use the window. We don’t usually post clips, but I think it’s a great tie-in to show how connected it all is. “No bag, no Gwen.”

Watch the official clip here, and keep on markofthespider-man.com to stay updated, as this isn’t the end yet!

Peter Parker (Andrew Garfield) finds a clue that might help him understand why his parents disappeared when he was young. His path puts him on a collision course with Dr. Connors, his father’s former partner.

Sony’s The Amazing Spider-Man features Garfield as Peter Parker, Emma Stone as Gwen, Martin Sheen as Uncle Ben, Sally Field as Aunt May and Denis Leary as George Stacy. 500 Days of Summer director Marc Webb is at the helm of this Spider-Man reboot, from a screenplay written by Alvin Sargent (Sam Raimi’s Spider-Man 2 & 3), Steve Kloves (Harry Potter movies) and James Vanderbilt (The Rundown, Zodiac, The Losers). Sony/Columbia is bringing The Amazing Spider-Man to theaters in 3D on July 3rd this summer.

Related categories: Hype, To Watch, Viral News

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In Life’s Too Short, Famous Dwarf Tangles With Ricky Gervais

Yes he’s a dwarf, but the fictionalized version of Warwick Davis is also a vain, self-delusional, preening egotist beset by an endless succession of humiliating social encounters.

He’s the perfect antihero for Ricky Gervais’ new fake documentary comedy series Life’s Too Short, which debuts at 10:30 p.m. Sunday on HBO. In the show, shaky cameras follow Davis around London as he desperately reminds prospective employers and complete strangers that he played an ewok in Return of the Jedi, appeared in Harry Potter movies and starred in the George Lucas-produced bomb Willow.

Like Gervais’ delusional David Brent in The Office, Davis tries and invariably fails to win friends and influence people. Life’s Too Short treads a tricky line by simultaneously mocking and celebrating a small man’s offbeat charisma.

“It’s not a half an hour of, ‘Isn’t it funny that he’s so short!’” Gervais said, describing the show to reporters last month during a Television Critics Association panel discussion. “It isn’t that at all. He’s got small-man complex. It’s nothing to do with his height per se. It’s about his aims. It’s about his ambition. There’s a difference between a show that exploits and a show that ridicules exploitation, and we’re clearly in the second camp.”

With its three-dimensionally flawed protagonist and contemporary setting, Life’s Too Short, co-created by Gervais and his frequent comedic conspirator Stephen Merchant, marks an empowering break from the past. Especially in sci-fi and fantasy realms, dwarves historically serve as visual shorthand for “otherworldly” — David Lynch spelled it out in his surreal TV series Twin Peaks by naming dwarf Michael J. Anderson’s character “The Man From Another Place.” The Wizard of Oz transported viewers to another time and place from the moment Munchkins made their entrance, and what are hobbits if not little people writ large?

But Hollywood is starting to move beyond its reliance on using little people for novelty effect. In Game of Thrones, Peter Dinklage plays witty, whoring conniver Tyrion Lannister with such fierce intelligence that the character’s physical stature becomes far less interesting than his machinations.

Sure, size matters, but projects like Life’s Too Short and Game of Thrones point toward a more expansive storytelling role for diminutive actors — provided they have big talent.

Check the gallery for a short list of the most magnetic little people in fantasy and sci-fi history, and read on for a longer look at the first two episodes of Life’s Too Short.

Spoiler alert: Minor plot points follow.

Sneak Peek at Life’s Too Short

Episode 1 loads up on not-particularly-funny exposition: Davis’ wife is kicking him out of the house. Gervais and Merchant, having cast Davis in their Extras series, now consider the unemployed actor a pest and place the buzzer to their office at a height they know he can’t reach. To top it off, Davis owes a huge tax bill.

Episode 2 gets laughs when Davis tutors Johnny Depp on how to get struck by lightning, dwarf-style. Later, while selling autographed photos at a sci-fi convention, Davis gets invited to a wedding. When he shows up in street clothes, the groom, infuriated that he did not wear an ewok costume, forces the actor to dress up as a bear. Davis hops onto a table and gives an insulting toast that makes the bride weep.

Curtain!

Images courtesy various studios except where noted.

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Artist’s ‘Transparency Grenade’ Wants to Blow Apart Corporate Secrecy

Julian Oliver’s Transparency Grenade makes a not-so-subtle comment on secrecy.

Artist Julian Oliver has put together a “transparency grenade” that lets users leak information from closed meetings by just pulling a pin.

The grenade includes a computer with a microphone and powerful wireless antenna that captures network traffic and audio in a location and anonymously streams it to an external server that mines it for information — including e-mail excerpts, web pages, images and voice. The server then uploads that data to a public website and positions it on a map.

The body is the shape of a Soviet F1 Hand Grenade, made out of the sturdy Tusk2700T resin. The metal parts are created from silver, complete with an operational trigger mechanism that begins the recording process. “I wanted it to look elegant, a bottle of high-class perfume, as much as a weapon,” said Oliver in an interview with We Make Money, Not Art.

Inside, there’s a a “Gumstix” ARM Cortex-A8 computer, Arduino Nano, LED Bargraph (for wireless signal level), 802.11 board antenna, 3.7-volt battery, 64×32 pixel LCD RGB display, 5mm cardioid microphone and an 8 GB microSD card. The computer runs a modified GNU/Linux embedded operating system.

Oliver added: “The volatility of information in networked, digital contexts itself frames a precedent for clamoring (and often unrealistic) attempts to contain it. One could even say it’s this desperate fear of the leak that produces images like my grenade, images that will continue to take violent forms in popular culture, journalism and presidential speeches in time.”

Oliver says that he’s also working on a version of the grenade’s functionality that’s a little more subtle — it uses a rooted Android phone to achieve the same aims. “This will allow activists (or those simply sick of the relative opacity of their organization) to deploy Transparency Grenade-like functionality on their rooted Android phone and send the data over an encrypted channel via their GSM provider to a publicly available map, displaying the detonation as data from that site,” he said.

You can see the Transparency Grenade in the Weise7 Studio exhibition in Labor Berlin, Haus Der Kulturen der Welt, until Feb. 20, 2012. View more images in Wired UK’s Transparency Grenade gallery.

An exploded view of the Transparency Grenade.
Photo: Julian Oliver

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First Official Lockout Poster

 

I hope you like the first official poster for Lockout, the action-packed sci-fi thriller from the producers of Taken.  The story is about a falsely convicted ex-government agent Snow (Guy Pearce) must rescue the President’s daughter (Maggie Grace) from an outer space maximum security prison after it is taken over by violent inmates.

From renowned action producer Luc Besson (The Fifth Element), Lockout will be in theaters everywhere on April 20, 2012.

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Error retrieving http://feeds.feedburner.com/firstshowing

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Artist’s ‘Transparency Grenade’ Wants To Blow Apart Corporate Secrecy

Julian Oliver’s Transparency Grenade makes a not-so-subtle comment on secrecy.

Artist Julian Oliver has put together a “transparency grenade” that lets users leak information from closed meetings by just pulling a pin.

The grenade includes a computer with a microphone and powerful wireless antenna that captures network traffic and audio in a location and anonymously streams it to an external server that mines it for information — including e-mail excerpts, web pages, images and voice. The server then uploads that data to a public website and positions it on a map.

The body is the shape of a Soviet F1 Hand Grenade, made out of the sturdy Tusk2700T resin. The metal parts are created from silver, complete with an operational trigger mechanism that begins the recording process. “I wanted it to look elegant, a bottle of high-class perfume, as much as a weapon,” said Oliver in an interview with We Make Money, Not Art.

Inside, there’s a a “Gumstix” ARM Cortex-A8 computer, Arduino Nano, LED Bargraph (for wireless signal level), 802.11 board antenna, 3.7-volt battery, 64×32 pixel LCD RGB display, 5mm cardioid microphone and an 8 GB microSD card. The computer runs a modified GNU/Linux embedded operating system.

Oliver added: “The volatility of information in networked, digital contexts itself frames a precedent for clamoring (and often unrealistic) attempts to contain it. One could even say it’s this desperate fear of the leak that produces images like my grenade, images that will continue to take violent forms in popular culture, journalism and presidential speeches in time.”

Oliver says that he’s also working on a version of the grenade’s functionality that’s a little more subtle — it uses a rooted Android phone to achieve the same aims. “This will allow activists (or those simply sick of the relative opacity of their organization) to deploy Transparency Grenade-like functionality on their rooted Android phone and send the data over an encrypted channel via their GSM provider to a publicly available map, displaying the detonation as data from that site,” he said.

You can see the Transparency Grenade in the Weise7 Studio exhibition in Labor Berlin, Haus Der Kulturen der Welt, until Feb. 20, 2012. View more images in Wired UK’s Transparency Grenade gallery.

An exploded view of the Transparency Grenade.
Photo: Julian Oliver

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Video: Autolux Visualizes Arty ‘Science of Imaginary Solutions’

A geometric multiverse of celestial monsters and drones with ice-cream-cone erections populate the imagery of art-rock band Autolux’s latest video.

In “The Science of Imaginary Solutions” animation director Thomas McMahan and artist Kill Pixie — known to his folks as Mark Whalen — get up to some weird business. The result looks nifty, but it’s kind of hard to actually figure out what it is.

The video, released earlier this week after Saturday’s Autolux exhibit party in Los Angeles, is full of portentous visual abstracts and coolly fracturing humanoids (and their respective extremities). It is definitely in line with the “excited state” that drummer and vocalist Carla Azar said Autolux was in when the band created 2010 full-length album Transit Transit, upon which “Science of Imaginary Solutions” appeared.

“We’re all influenced by a wide spectrum of work,” the titanium-enhanced Azar told Wired.com in 2009, “and gravitate towards the experimental and the mainstream.”

Azar, guitarist Greg Edwards and bassist Eugene Goreshter are in the studio patiently hammering out Autolux’s currently untitled third release. Fans looking for multimedia to carry them over until that’s done can grab a limited-edition “The Science of Imaginary Solutions” single, which comes with an arty booklet of stills taken from the video. Until then, let’s all watch the clip above. Maybe we’ll figure it out together.

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Greatest Simpsons Cameos From First 500 Episodes

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Julian Assange will pop up on The Simpsons this Sunday, landing the embattled WikiLeaks leader in the historic 500th episode of an animated show known for its quirky cameos.


“We specialize in finding people who can’t be found, so we thought it would be unique for the 500th episode,” said The Simpsons producer Al Jean in a conference call with reporters. “We had to record him over the phone. It was a cloak-and-dagger kind of thing.”


Assange’s unlikely cameo is just the latest celebrity “get” for the show’s bookers, who have long specialized in lining up surprising special guests. (See the cameos we’ve selected as our favorite Simpsons guest stars from the first 500 episodes in the video gallery above.)


How did the controversial cartoon land the controversial WikiLeaks chief? Jean said he found out from Simpsons‘ creator Matt Groening that Assange, whose lines were recorded months before Sunday night’s benchmark episode, wanted to be on the show. The task of coordinating the cameo was left to intrepid casting director Bonita Pietila, who previously located mysterious cultural heroes like Banksy and Thomas Pynchon.


(Spoiler alert: Details about the 500th episode follow.)


The Simpsons milestone is celebrated early in “At Long Last Leave,” the 500th episode that airs Sunday at 8 p.m./7 p.m. Central on Fox. The show starts with a fast-forward glimpse at every couch gag The Simpsons has ever run. Then Springfield’s most notorious family is banned for its hijinks, only to settle in with a ragged bunch of off-the-grid outlanders living adjacent to a sleek WikiLeaks compound inhabited by Assange, whose password is, hilariously, “1234.”


Only time will tell if Assange’s topical appearance as The Simpsons’new Flanders” beats out three-fourths of The Beatles or any of the other essential Simpsons guest stars that have graced the series since its birth on The Tracy Ullman Show 25 years ago this April.


The sheer number of Simpsons cameos over the years is astounding. How much more can we expect?


“I don’t know where the end is,” Jean said when asked about the show’s future. “I’ve jokingly said, ‘Why not 1,000? Why not 2,000?’ But that sounds as preposterous to me now as 500 did [when the show started], so I really don’t know.”

Blowback:

Who’s your favorite Simpsons special guest of all time? Doh!-nate your favorite memories in the comments below.

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Spider-Man Leaves His Mark on Los Angeles – How We Pulled It Off

Spider-Man Leaves His Mark on Los Angeles – How We Pulled It Off

by
February 17, 2012

We’ve left our mark in the name of Spider-Man. Permanently this time! Last night I was called on the phone I picked up in the Mark of the Spider-Man viral to meet up in downtown Los Angeles to participate in an incognito event around the city involving tagging the Mark of the Spidey on walls around Hollywood. It was awesome. And you can still see our work. This isn’t the only city either, as groups have hit Atlanta, Seattle, Denver, and also coming up tonight, New York and Phoenix, too. Our group of 10 and the Mark crew took stencils and rode in a van around the city last night spreading the word of Spidey. Here’s what went down.

Note: Before anyone says anything, this was a completely legal, virally-coordinated event involving Sony / Columbia Pictures in the background. All of the locations were marked and chosen and this was designed to be an “in-fiction” event for Spidey fans like us to experience. It is not meant to encourage illegal activity or vandalism and we did not just ride around choosing random walls to tag. That said, it was an awesome idea and if you know the locations, you can now find these Spider-Man symbols hidden all around the country.

So here’s what happened. The five people who picked up phones/hoodies in the first viral drop earlier this week were called and told to show up at 8:30 at a location downtown in Los Angeles, with an extra person. That means 10 of us in total showed up to the spot last night, which was located right under a gigantic Spider-Man logo tagged on a building in the background (see the photo) which was the perfect tease for what was to come. After being briefed by the Mark guys about our plans to start spreading our support of Spider-Man, we gathered up in a black van and drove around up into Hollywood to three different locations.

Mark of the Spider-ManMark of the Spider-Man

Mark of the Spider-Man

This crew of 10 rag tag Spider-Man taggers, which actually included two fans who were real taggers, took stencils and paint to an undisclosed first location and started our work. They divided us into teams, the first group would set the stencils on the walls and start painting with the red spray cans. Think Banksy meets Project Mayhem, but with Spider-Man. The other two teams were documenting/tweeting (you can find non-stop reports by searching #markofthespiderman) and handing out info cards with a QR code link telling everyone to “support Spider-Man!” Because, you know, The Daily Bugle and the cops think he’s a menace. Poor Spidey! We used different size stencils at all of the spots to make it look unique each time.

All of us who participated had an amazing time, getting our hands dirty on the streets in support of Spidey. I came with my friend @infamous and ran into @zachlipovsky and his girlfriend as well, and we made up the team that hit the very first tag. At the end we received a unique print signed by Marc Webb, and our work was turned into a staticy video on the markofthespider-man.com website. They also took the viral phones at the end, but told us there is plenty more coming, so this isn’t the end. The last two cities will get their Marks tonight and Spider-Man will start getting supporters around the country thanks to our work on the streets.

I did my best to document the entire event as it unfolded last night on my twitter. Besides that twitter hash tag, our friends on Tumblr and Mentorless are updating this viral closely every single night. I recorded a quick video of the stencil and painting process and took as many photos as I could to show you what it was like and how amazing of an experience it was to go around doing this at night in Los Angeles. Watch here:

For those who want to check out the locations in LA to see our Spidey art, I found a complete listing of addresses for all three spots on twitter. You can find all of them pointed out on this Google map, as well as the fourth spot downtown that was already painted when we showed up (and I think another one might’ve gone up near Culver City). Go check them out while they still last! Here are more photos from last night:

Mark of the Spider-Man Tagging

Mark of the Spider-Man Tagging

Mark of the Spider-Man Tagging

Mark of the Spider-Man Tagging

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Mark of the Spider-Man TaggingMark of the Spider-Man Tagging

This last group photo of the viral crew courtesy of @jerrybandito, one of the taggers in our group last night:

Mark of the Spider-Man Tagging

What I don’t think this is trying to show is that we’re all vandalizing in the name of Spider-Man. This was coordinated because there’s a scene in the movie where Spidey does the same, and it’s allowing fans to play and live in that world, and experience it like we’re in the movie. That’s why it was so damn cool. All of this was legal, the spots were chosen, we even had a security escort, and no cops ever showed up. I’m sure all of the other crews had a similar experience as I’ve heard nothing but great things from everyone else. While this didn’t unlock anything in terms of progress in the viral, but we did leave our mark in a very public, prominent way, and I think people will definitely take notice. Support Spider-Man, and down with crime!

I can’t wait to see what’s next if this is only the start of the Mark of the Spider-Man viral, since we still have six more months until The Amazing Spider-Man lands in theaters. Thank you to Sony / Columbia for even allowing this to happen, I’m sure everyone in all of the cities won’t ever forget this, and if anything hopefully we can start an even bigger Mark of the Spider-Man movement out of it. Stay tuned for more viral updates.

Related categories: Cool Stuff, Featured, Hype, Viral News

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